n-Track Studio's Featured Artist of the Month

MARCH 2003


The Five W

Featured Artist's Web Page


Where:

El Paso, Illinois, USA

Who: Lou Paradies (guitars, hammered dulcimer, sound guy)
Kal Kumar (E. Africa djembe drum, Latin Percussion bongos)


When:
"We started in earnest on the 4th of July in 2002, though we have been
playing a year or two before that point. But the 4th of July was our first recording session!"


Why:
It is more than just the music. It is a way to bond on this planet and to bring together diverse talents in total harmony.

What:
Jazz, Folk, Bossa, Latin, Rock ....... because of the number of influences here we have called ourselves FUSION CROSSING. It is the place
where it all comes together.


Fusion Crossing
by Alessandro De Murtas

 
A STORY IN TWO PARTS (Lou & Kal):

LOU'S STORY:
[..] I should probably start with influences in my life. I grew up listening to Ray Charles, BB King and Dave Mason. All quite different, and all very powerful in their own ways. I've had the pleasure of seeing all of them in concert, and was able to meet Dave Mason after one performance he did with Jim Krueger, a phenomenal acoustic guitarist. I have a lot of favorite bands from the 60s and 70s era and somehow skipped over much of the 80s and 90s. The one major exception here is being lucky enough to fall into the path of a band called Patchouli that is comprised of Julie and Bruce Hecksel. After seeing them in a local concert, I now watch intently for any time they perform in central Illinois. It is not just that their music is so very much up my alley, but also that they are the spirit and sounds of what Kal and I believe in. The beauty of this earth is amazing, as are our responsibilities at trying to maintain it.
I started playing guitar in 1975 and remained strictly a rhythm or finger picking guitarist until the past 5 years when I began to explore a bit of lead and electric guitar work. I enjoy all forms of guitar, but am still at home with my old 1975 acoustic guitar, a Yamaha FG200. It is almost indestructible and holds a deep bass sound. I've also got a Martin 000-28EC acoustic guitar which is just wonderful for finger style guitar picking. It has a very delicate and precise tone that I use much these days. Outside of this I am learning to play a Griffin hammered dulcimer, which really lends itself well to our style of music. We do Folk music, but we venture out into other genres as well. Too many cool sounds to limit our scope or goals!

Lou with his favorite teacher (Mrs. Somers)
from his high school

For now Kal and I are content to be performing regularly at the Depot, in El Paso, Illinois, a place that is just perfect for beginning artists.
We enjoy most of all just recording music, and the ease with which we can do this with N-Track. I use the latest version of N-Track in combination with the following equipment:
KSM44 microphone, Mackie CFX12 mixer, my laptop computer, and away we go ... even to the woods and outdoors! This combination makes the perfect portable recording studio which allows us to combine our music with nature, which we did last summer. If you listen to our song "OutBack" on our site you will notice nature is one of our instruments there. Kal and I actually can discern a difference in the sounds of our instruments when played in the open night air, and it is a wonderful experience to partake in. The best thing N-Track gives me is a superb sound when used in conjunction with our equipment, but it is also a portable format which allows setup just about anywhere you can think of. We have even run 1,000 feet of electrical cords to get our system down to the pond last summer where we recorded "OutBack". This is really cool stuff. I'll describe a bit of what it is like at the campsite from an excerpt out of a story I'm writing:

"One of the things that will allow this setting to be so in touch with nature is the fact that a wide ridge or hill sits behind us which completely cuts off from view even the lodge. The lodge of course provides electricity via the power cords that I use, so it is a nice arrangement. We have modern convenience at the top of the hill but nowhere in view. On our present side of the hill we see only trees, campsite and pond. The campfire is located just to the edge of the twin oaks, two towering trees that shade our tents by the side of the pond. Across the pond are more trees which become the woods. Our campfire is made up of a circle of big rocks, giving us a fireplace perhaps 5 feet in diameter. It is near this campfire where I stack the wood. Some already split, some not - the larger logs are good for later in the evening for the long slow burning fires. This is nature, a place for us to delight in His creation. It is the place of this fire, and also the fire within our spirits. This setting will soon be busy as others arrive to setup for our adventure and to join in on new experiences tonight."

The last thing on N-Track I can say is to make use of the "Fade In" and "Fade Out" features if you like that sort of thing, since it works so easily here. Also, spend the extra $20 and get the F.A.Soft Compressor DirectX plug-in if you can. It really does a wonderful job of bringing up the volume without any distortion or squelch. Flavio gives more of the technical reasons to use this, I just know that it works and does really enhance the sound of our recordings, and yes, I love the "Soft Knee Compression", as he has recommended for us.

Where do we go from here? Kal and I are happy campers just recording our sounds and having fun. Our first CD "OutBack" is more a labor of love than anything else. It is strictly a home project done at our home studio, called "Pine View Studios". We are giving another month to further song creation and practice, and then plan to take our sounds on the road. By the road I mean a few coffee houses and perhaps outdoor venues this spring, summer and fall of 2003. Time is often a factor, but when you are having fun that seems to make a way for itself. Last, my compliments again to N-Track! I've used this for about 4 years and am very impressed with the latest version. Our best regards and wishes to all fellow N-Track artists out here!


Kal playing djembe

KAL'S STORY: [..] Percussion instruments always interested me since I was young. Back in India where I am originally from I didn't formally ever get a chance to learn them. After moving to the U.S. and meeting Lou, I found this opportunity!
Lou was involved in a band, and also with playing and recording music on his own. Lou had a great interest in "acoustical" music which correlated beautifully with my own interests. Lou has an array of musical instruments from all over the world, and mentioned that he has a Djembe and asked me if I would like to play for his band. I just jumped on the opportunity and started playing ever since with Lou. I have been playing the Djembe for two years now.

I have listened to the West African music and am quite familiar with the sounds that can be produced from the Djembe. From the first moment of joining the band I got a lot of encouragements from my friends and since then I am playing the Djembe in my own way. I have now also included the Latino Bongos adapting them to my playing style. Some of our most recent songs include these.

I still haven't had the chance to sign up for any formal training in Djembe, but I hope to sometime in the future. Basically, we just like to have fun playing at this point, with no commercial interest. We are exploring our own way of creating some neat music with Nature. That's our primary motto!!!"

Gallery




Kal playing djembe


Lou out in the
woods



The pond next to our camp & recording location


Kal playing bongos

What's Being Cooked Up?

Featured Artist of the Month - Comments and suggestions are welcome.

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